author · Nathaniel Hawthorne
type of work · Novel
genre · Symbolic; semi-allegorical; historical fiction; romance (in the sense that it rejects realism in favor of symbols and ideas)
language · English
time and place written · Salem and Concord, Massachusetts; late 1840s
date of first publication · 1850
publisher · Ticknor, Reed, and Fieldsnarrator · The narrator is an unnamed customhouse surveyor who writes some two hundred years after the events he describes took place. He has much in common with Hawthorne but should not be taken as a direct mouthpiece for the author’s opinions.
point of view · The narrator is omniscient, because he analyzes the characters and tells the story in a way that shows that he knows more about the charactersthan they know about themselves. Yet, he is also a subjective narrator, because he voices his own interpretations and opinions of things. He is clearly sympathetic to Hester and Dimmesdale.
tone · Varies—contemplative and somewhat bitter in the introduction; thoughtful, fairly straightforward, yet occasionally tinged with irony in the body of the narrative
tense · The narrator employs thepast tense to recount events that happened some two hundred years before his time, but he occasionally uses the present tense when he addresses his audience.
setting (time) · Middle of the seventeenth century
setting (place) · Boston, Massachusetts
protagonist · Hester Prynne
major conflict · Her husband having inexplicably failed to join her in Boston following their emigration from Europe,Hester Prynne engages in an extramarital affair with Arthur Dimmesdale. When she gives birth to a child, Hester invokes the condemnation of her community—a condemnation they manifest by forcing her to wear a letter “A” for “adulteror”—as well as the vengeful wrath of her husband, who has appeared just in time to witness her public shaming.
rising action · Dimmesdale stands by in silence as Hestersuffers for the “sin” he helped to commit, though his conscience plagues him and affects his health. Hester’s husband, Chillingworth, hides his true identity and, posing as a doctor to the ailing minister, tests his suspicions that Dimmesdale is the father of his wife’s child, effectively exacerbating Dimmesdale’s feelings of shame and thus reaping revenge.
climax · There are at least two pointsin The Scarlet Letter that could be identified as the book’s “climax.” The first is in Chapter 12, at the exact center of the book. As Dimmesdale watches a meteor trace a letter “A” in the sky, he confronts his role in Hester’s sin and realizes that he can no longer deny his deed and its consequences. The key characters confront one another when Hester and Pearl join Dimmesdale in an “electricchain” as he holds his vigil on the marketplace scaffold, the location of Hester’s original public shaming. Chillingworth appears in this scene as well. The other climactic scene occurs in Chapter 23, at the end of the book. Here, the characters’ secrets are publicly exposed and their fates sealed. Dimmesdale, Hester, and Chillingworth not only acknowledge their secrets to themselves and to eachother; they push these revelations to such extremes that they all must leave the community in one way or another.
falling action · Depending on one’s interpretation of which scene constitutes the book’s “climax,” the falling action is either the course of events that follow Chapter 12 or the final reports on Hester’s and Pearl’s lives after the deaths of Dimmesdale and Chillingworth.themes · Sin, experience, and the human condition; the nature of evil; identity and society
motifs · Civilization versus the wilderness; night versus day; evocative names
symbols · The scarlet letter; the town scaffold; the meteor; Pearl; the rosebush next to the prison door
foreshadowing · Foreshadowing is minimal, because the symbols tend to coincide temporally with events, enriching their meaning...