Lord byron she walks in beauty clase modelo

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Every breath you take a
and every move you make a
Every bond you break a
Every step you take, a
I'll be watching you
Every single day b
and every word you say b
Every game you play b
Every night you stay, b

I'll be watching you
Oh can't you see
you belong to me?
How my poor heart aches
with every step you take
Every move you make
and every vow you breakEvery smile you fake
Every claim you stake,
I'll be watching you
Since you've gone I've been lost without a trace
I dream at night
I can only see your face
I look around but it's you I can't replace
I feel so cold and I long for your embrace
I keep crying baby, baby please

Oh can't you see you belong to me?
How my poor heart aches with every step you take
Every move youmake
And every vow you break
Every smile you fake
Every claim you stake, I'll be watching you
Every move you make
Every step you take, I'll be watching you, I'll be watching you
Every breath you take
Every move you make
Every bond you break
Every step you take, I'll be watching you
Every single day
Every word you say
Every game you play
Every night you stay, I'll bewatching you
Every move you make
Every vow you break
Every smile you fake
Every claim you stake, I'll be watching you
Every single day
Every word you say
Every game you play
Every night you stay, I'll be watching you
Every breath you take
Every move you make
Every bond you break
Every step you take, I'll be watching you
Every single day
Every word you say
Every game you playEvery night you stay, I'll be watching you
Every move you make
Every vow you break
Every smile you fake
Every claim you stake, I'll be watching you
Every single day
Every word you say
Every game you play
Every night you stay, I'll be watching you
Every breath you take
Every move you make
Every bond you break
Every step you take, I'll be watching you

SHE WALKS INBEAUTY
by: George Gordon (Lord) Byron (1788-1824)
HE walks in beauty, like the night a 1
Of cloudless climes and starry skies; b 2
And all that's best of dark and bright a 3
Meet in her aspect and her eyes: b 4
Thus mellow'd to that tender light a 5
Which heaven to gaudy day denies. B 6
 
One shade the more, one ray the less, c 7
Had half impair'd the nameless grace d 8
Whichwaves in every raven tress, c 9
Or softly lightens o'er her face; d 10
Where thoughts serenely sweet express c 11
How pure, how dear their dwelling-place. d 12
 
And on that cheek, and o'er that brow, e 13
So soft, so calm, yet eloquent, d 14
The smiles that win, the tints that glow, e 15
But tell of days in goodness spent, d 16
A mind at peace with all below, e 17
A heartwhose love is innocent! d 18
Romanticism (or the Romantic Era) was a complex artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution.[1] In part, it was a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientificrationalisation of nature.[2] It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography,[3] education[4] and natural history.[5]
The movement validated strong emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as trepidation, horror and terror and awe—especially that which is experienced in confronting thesublimity of untamed nature and its picturesque qualities, both new aesthetic categories. It elevated folk art and ancient custom to something noble, made of spontaneity a desirable character (as in the musical impromptu), and argued for a "natural" epistemology of human activities as conditioned by nature in the form of language and customary usage.
Romanticism reached beyond the rational and...
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