"...it was a protest against the consumer society butalso against our "colleagues" on the Krautrock scene who had totally different taste/styling if any. I was very well informed about Warhol, Pop Art, Contemporary Art. I had always been very visual inmy thinking. Also, during that time, I lived in a commune and in order to get the space that we lived in, I set up an advertising agency which existed mainly on paper. Most of the people that I livedwith were trying to break into advertising so I was somehow surrounded by this Neu! all the time."
The pair recorded in Star Studios in Hamburg, with the up-and-coming Krautrock producer Konrad"Conny" Plank, as Dinger had with Kraftwerk. Dinger describes Conny's abilities as a "mediator" between the often disagreeing factions within the band. The band were booked in to the studio for fourdays in late 1971, according to Dinger, the first two days were unproductive, until Dinger brought his Japanese Banjo to the sessions, a heavily treated version of which can be heard on"Negativland", the first of the album's six tracks to be recorded.
It was during these sessions that Dinger first played his famous "motorik" beat (Two songs on the album, "Hallogallo" and "Negativland",feature Dinger's "Motorik-beat"). Motorik is a repeated 4/4 drumbeat with only occasional interruptions, perhaps best showcased on "Hallogallo". Dinger claims never to have called the beat motorikhimself, preferring either "lange gerade" ("long straight") or "endlose gerade" ("endless straight"). He later changed the beat's "name" to the "Apache beat" to coincide with his 1985 solo album Neondian.