The Trail Theater at Miami was pulsing, vibrating, raving, crying, retaliating, and gushing self-affirmation when the Vagina Monologues came to the stage last Sunday evening, in a celebration ofV-day hosted by the National Organization of Women (NOW). The Vagina Monologues is not only a revolutionary, provoking and eye-opening evening of entertainment, it is a bold step towards increasingawareness about violence against women and girls, and securing financial resources for organizations working towards stopping such violence and helping its survivors. V-Day was born in 1998 out of theMonologues, as its creator and performer Eve Ensler heard in her travels hundreds of women’s stories of rape, incest, domestic battery and genital mutilation. She joined with a group of women to foundV-day, a global movement to end violence against women. The V in V-Day represents Valentine, Violence, and of course, Vagina; and this word resounded proudly throughout the auditorium as Roselyn Sanchez,Roxana Garcia and Maria Conchita Alonso stepped soundlessly into the lives of different women from across the globe, to share the latter’s experiences, or lack thereof, with their vaginas.
At theopening of the show, the cast burst excitedly into the theatre, clapping in time and adding their own voices to a pre-recorded background chant of the title of the presentation. While the song itselflacked melody and unity with the subject, and suspiciously resembled a hastily-composed signature piece, it served to engage the audience and unabashedly introduce the theme of the show: vaginas. Fromtheir entry by the main hall doors and through the audience, the scene onstage into which the women of the cast moved helped, with its living room-type furnishings, to create an atmosphere ofcamaraderie among them, which was conveyed onto the monologues they interpreted, and so represented fellowship among women across the world. The creation of this sense of fellowship was supported by the...
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