Australian folk music
John Meredith, Portrait of Alan Scott, Balmoral Village, NSW, 1986, photograph: gelatin silver, sepia toned. Image courtesy of theNational Library of Australia
Folk music is music which originates in and is handed down by oral tradition amongst common people. In the early days of the Australian colonies, convict ballads and songs became thefoundation of Australia's later day folk music and its first original compositions.
Many early Australian singers recycled tunes from England, Ireland, Wales and Scotland and adapted these to lyrics and verse about their experience in the colonies. Songs such as Girls of the Shamrock Shore, Bound for South Australia, Botany Bay, Van Diemen's Land, Maggie May and Convict Maid all tell (often sad) talesof long sea journeys to our distant colonies.
Convicts were not systematically segregated, by religion or nationality and learned songs from one another which were then passed on, to survive later, for example, in Irish enclaves. The fiddle, concertina, banjo, mouth organ, penny whistle and tea chest were popular instruments.
John Meredith, Portrait of Fred Holland, Mudgee, NSW,1957, photograph : gelatin silver, sepia toned. Image courtesy of theNational Library of Australia
A. B. 'Banjo' Paterson and Henry Lawson argued in 1892, in verse, that the main influence on the Australian folk song tradition has been Irish - based on the wide spread singing of Willie Reilly, an Irish ballad among bush workers.
Bush songs, ballads and music influenced and defined the folk musicof the 1950s. They recorded contemporary events, the lives and loves of bushrangers, bolters, swagmen, drovers and shearers.
Indigenous folk music and folk music about Indigenous peoples have been part of the oral tradition within Australian folk music. The Sydney 2000 Olympics reinforced the popularity of songs such as Neil Murray's My Island Home, made famous by Christine Anu, and widelyadopted by younger Australians as an anthem for national reconciliation with Australia's Indigenous peoples.
Convict folk songs
Peter Fraser (1808-1888), Portrait of a convict. Image courtesy of State Library of Tasmania
Many convicts were unable to read or write very well, like a large percentage of the British population at the time. The use of songs was particularly important as itprovided a means to record popular feelings as well as events and individual's stories.
Convict songs like Jim Jones, Van Diemen's Land, Moreton Bay and hymns to bushrangers were often sad or critical. Convicts, such as Francis MacNamara, known as 'Frankie the Poet', were flogged for composing original ballads with lines critical of their captors. Despite this, 'the convicts could not be stoppedfrom singing' (Edgar Waters).
The lines from the song Moreton Bay (c. 1820s), attributed to Francis MacNamara, tells of the hardship a convict has experienced at different penal settlements around Australia:
I've been a prisoner at Port Macquarie
At Norfolk Island and Emu Plains
At Castle Hill and at cursed Toongabbie
At all these settlements I've been in chains
But of all places ofcondemnation
And penal stations in New South Wales
To Moreton Bay I have found no equal
Excessive tyranny each day prevails
Moreton Bay was known to the bushranger Ned Kelly who seems to quote it in part of his rambling 'Jerilderie letter' (1879).
Railway, war and union songs 1890s - 1950s
Henry Lawson was a Sydney railway worker for a time, and his verse from 1899 records thedivisions between first and second class on the railways:
Yes, the second class were waiting in the days of serf and prince
And the second class are waiting - they've been waiting ever since
There are gardens in the background, and the line is bare and drear,
Yet they wait beneath the signboard, sneering 'Second Class wait here'
The experience of wartime, especially World War I, was...