Rider Cristia Castro

CRISTIAN CASTRO PRODUCTION RIDER
Updated 5/20/08

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Monitors
Yamaha PM5D-RH Digital monitor console (NO
EXCEPTIONS)
4 BSS duel 31band outboard graphic EQ’s
8 high quality bi-amped floor monitors
4 high quality, 3-way side fills, 2 per side at downstage wing
position
1 3-way drum monitor with sub
11 Sennheiser EW 300 G2 stereo in-ear wireless monitor units
with ear buds ORShure PSM 700/P7R
Wireless antenna distribution system with 2 paddles
2 Shure UHF wireless handheld microphones (Beta87 heads)
2 Shure UHF wireless handheld microphones (Beta58 heads)
1 56 channel audio snake with isolated monitor split
3 24CH 100’ sub boxes
Wide assortment of XLR cables (10’, 25’, 50’, 100’)
FOH
Yamaha PM5D-RH Digital FOH Console (substitute: Digico
D5, SD7, SoundcraftVi6, Yamaha M7CL)
1162SL Stereo Compressor/Limiter (substitute blue face)
1 BSS stereo 31 band graphic EQ
A state of the art, stereo sound system capable of even coverage
over entire audience area and producing a clear, undistorted
115db at FOH at full audio bandwidth. (Mix position to be no
less than 35' and no more than 80' from front of stage and
on audience level)
Flown, Line Array PASystem w/ground subs are preferred
(V-Dosc, Vertec, Geo-T, Y18, etc)
CD Recorder/Player at FOH

Microphone List
1 Shure Beta91
1 Shure Beta52
5 Shure Beta58
5 Shure Beta98
2 Shure SM57
4 SM81
2 Shure UHF wireless Beta87
2 Shure UHF wireless Beta58
4 AKG414
2 Sennheiser 421
4 Beta 98 wireless microphones (tenor, alto, trumpet,
trombone)
• 15 BSS Active DI’s
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Microphone Stands
8 short boom stands
12 heavy base tall booms stands
4 tall straight stands
8 LP Drum Claws
Stage/Risers
2 8’x8’x2’ carpeted risers for drums and percussion
4 8’x4’x2 carpeted risers (horn, BGD vocals, guitar/bass,
keys)
Blow thru barricade to span the entire width of the stage
3 1’ steps for risers
Stairs for both stage left and stageright

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Lighting
120K of conventional PAR lighting (prefer 60K on upstage 40ft
of Truss, and 60K on the downstage 40ft of truss)
(3) ACL bars (4 ACL per bar) mounted according to Plot on the
upstage 40 ft of truss
(8) Lekos mounted on the downstage 40ft of truss
(8) Martin Mac 2K profile or Martin MAC700 moving lights
(4 on upstage 40 ft of truss, 4 on downstage 40 ft of truss)
(2)8-lite mol-fay blinders attached to the offstage edge of the
downstage truss
(2) DF-50 or equivilant hazer
Backline Requirements

Les Fisher (Drums) 512-731-7373
A. Yamaha Kit
- 20” Kick
- 10” Rack Tom
- 12” Rack Tom
- 14” Floor Tom
- 16” Floor Tom
- 5 Yamaha Cymbal Stands
- 2 DW 9000 Foot Pedal (one for spare)
- 1 Pie Eye Drum Seat
B. Pearl Kit
- 20” Kick
- 10” Rack Tom
- 12” RackTom
- 14” Floor Tom
- 16” Floor Tom
- 5 Pearl Cymbal Stands
- 2 DW 9000 Foot Pedal (one for spare)
- Pie Eye Drum Seat

Jai Dillon (Bass) 512-809-7220
A. (2) 4x10 Eden Bass Cabinets
B. (2) 4x10 SWR Bass Cabinets
C. (2) 4x10 Ampeg SVT Bass Cabinets
A. Eden Traveler Bass Amplifier
B. Ampeg SVT Bass Amplifier
C. SWR Bass Amplifier
Christian Fernandez (Acoustic/Electric Guitar)512-284-9126
A. Mesa Boogie 2x12 Amp/Cabinet
B. Trace Elliot 2x12 Amp/Cabinet
John Pointer (Electric Guitar, Cello) 512-695-6807
A. Fender Twin
B. VOX AC30
C. Mesa Boogie 2x12 Amp/Cabinet
A. Acoustic Cello
Stefano Intelisano (Keyboards) 512-825-3398
A. 1 Yamaha Motif 7 (Motif 8 as substitute if Motif 7 is not
available) **NOTE: KEYBOARD HAS GOT TO BE
EITHER A MOTIF 7 OR 8 CLASSIC, THE OLDESTMODEL AVAILABLE**
A. Clavia Nord Stage 88
A. 2 Sustain pedals (Yamaha polarity works with both
keyboards)
A. 2 X Stand keyboard stands
A. 1 Telescopic swivel drum seat

Carmella (Latin Percussion) 512-698-4816
-3 congas 11", 113/4" and 121/2" and stands, LP Classic or
Giovanni Hidalgo Millennium Series
- 1 Set of Bongos 7" and 8 1/2" with stands, LP Classic or
Giovanni Hidalgo...