Technologia

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An airbrush is a small, air-operated tool that sprays various media including ink and dye, but most often paint by a process of nebulization. Spray guns were developed from the airbrush and are still considered a type of airbrush.
HISTORY
The first airbrush, depending on your definition, was patented in 1876 (Patent Number 182,389) by Francis Edgar Stanley of Newton, Massachusetts.Stanley and his twin brother later invented a process for continuously coating photographic plates (Stanley Dry Plate Company) but are perhaps best known for their Stanley Steamer. No artistic images that used this 'paint distributor / atomiser' exist or are as yet known.

The first instrument to be named the "airbrush" was developed by Abner Peeler "for the painting of watercolors and otherartistic purposes" and used a hand-operated compressor. It was rather crude, being based on a number of spare parts in a jeweller's workshop such as old screwdrivers and welding torches. It took 4 years of further development before a truly practical device was developed. This was marketed by Liberty Walkup, who taught airbrush technique to American Impressionist master Wilson Irvine at the AirBrush School in Rockford, Illinois. The first certain 'atomising' type airbrush was invented by Charles Burdick in 1893 and presented by Thayer and Chandler art materials company at the World Columbian Exposition in Chicago. Burdick founded the Fountain Brush Company in the US, and launched the first series of airbrushes onto the market. This device was essentially the same as a modern airbrush,resembling a pen and working in a different manner than Peeler's device. Aerograph, Burdick's original company, still makes and sells airbrushes in England. Thayer and Chandler were acquired by Badger Air-Brush Co. in 2000. Badger Air-Brush continues the Thayer and Chandler tradition of manufacturing quality airbrush guns, tools and compressors out of Franklin Park, Illinois.

For more a detailedacademic study, the University of Wales Library holds a detailed PhD on Airbrush History. The Franklin Institute in Philadelphia, The Public Library in Rockford Illinois and the Conservation Department of New York University retain copies. This was authored by Dr. Andy Penaluna, now Professor of Creative Entrepreneurship at Swansea Metropolitan University. Professor Penaluna has also advised theInternational Museum of Photography at George Eastman House, Rochester, New York.
DESIGN
An airbrush works by passing a stream of fast moving (compressed) air through a venturi, which creates a local reduction in air pressure (suction) that allows paint to be pulled from an interconnected reservoir at normal atmospheric pressure. The high velocity of the air atomizes the paint into very tinydroplets as it blows past a very fine paint-metering component. The paint is carried onto paper or other surface. The operator controls the amount of paint using a variable trigger which opens more or less a very fine tapered needle that is the control element of the paint-metering component. An extremely fine degree of atomization is what allows an artist to create such smooth blending effects using theairbrush.

The technique allows for the blending of two or more colors in a seamless way, with one color slowly becoming another color. Freehand airbrushed images, without the aid of stencils or friskets, have a floating quality, with softly defined edges between colors, and between foreground and background colors. A well skilled airbrush artist can produce paintings of photographic realism orcan simulate almost any painting medium. Painting at this skill level involves supplementary tools, such as masks and friskets, and very careful planning.

Some airbrushes use pressures as low as 20 psi (1.38 bar) while others use pressures in the region of 30-35 psi (2-2.4 bar). Larger "spray guns" as used for automobile spray-painting need 100 psi (6.8 bar) or more to adequately atomize a...