Eel Marsh House stands tall, gaunt and isolated, surveying the endless flat saltmarshes beyond the Nine Lives Causeway, somewhere on England's bleak East Coast. Here Mrs Alice Drablow lived - anddied - alone. Young Arthur Kipps, a junior solicitor, is ordered by his firm's senior partner to travel up from London to attend her funeral and then sort out all her papers. His task is a lonely one,and at first Kipps is quite unaware of the tragic secrets which lie behind the house's shuttered windows. He only has a terrible sense of unease. And then, he glimpses a young woman with a wasted face,dressed all in black, at the back of the church during Mrs Drablow's funeral, and later, in the graveyard to one side of Eel Marsh House. Who is she? Why is she there? He asks questions, but thelocals not only cannot or will not give him answers - they refuse to talk about the woman in black, or even to acknowledge her existence, at all. So, Arthur Kipps has to wait until he sees her again, andshe slowly reveals her identity to him - and her terrible purpose.
The Woman In Black treads in the footsteps of the classic ghost story, following the tradition of Charles Dickens and M.R James, ofHenry James and Edith Wharton. It is not a horror story or a tale of terror, yet the events build up to a horrifying climax and instil a sense of horror. It relies on atmosphere, a vivid sense ofplace, on hints and glimpses and suggestions, on what is shadowy, heard and sometimes only half-seen, to chill the reader's blood to the marrow and make reading the book alone at night inadvisable forthe faint-hearted.
Stephen Mallatratt's adaptation for the stage remains entirely true to the book itself and uses much of Susan Hill's own descriptive writing and dialogue, while transforming thenovel into a totally gripping piece of theatre.
The Woman in Black is a 1983 horror novel by Susan Hill about a menacing spectre that haunts a small English town.
It was adapted into a stage play...