Burning Man
Burning Man is organized by Black Rock City, LLC. In 2010, 51,515 people attended Burning Man 2011 attendance was capped at 50,000 participants and the event sold out on July 24. In April 2011, Larry Harvey announced that the Org had begun the process of transitioning management of the festival over to a new non-profit called the "Burningman Project".
Art on the drylake is assisted by the Artery, which helps artists place their art in the desert and ensures lighting (to prevent accidental collisions), burn-platform (to protect the integrity of the dry lake bed), and fire-safety requirements are met.
Since 1995, a different theme has been created, ostensibly by Larry Harvey, for each year's event. For 2006, the theme was Hope and Fear, and for 2007, it wasThe Green Man. The 2011 theme was "Rites of Passage". It determines to some extent the design of the Man (although his design and construction, while evolutionary, has remained relatively unchanged) and especially the structure on which he stands (an Observatory for "Vault of Heaven," a Lighthouse for "The Floating World"). These themes also greatly affect the designs that participants employ intheir artworks, costumes, camps and vehicles.
Burning Man primarily features outsider art and visionary art, though a great variety of art forms appear during the event. Creative expression through the arts and interactive art are encouraged at Burning Man. Numerous Theme Camps, registered and placed by the LLC, are created as event and residence centers by sizable sub-communities ofparticipants and use extensive design and artistic elements to engage the greater community and meet the LLC's interactivity requirements. Music, performance and guerrilla street theatre are art forms commonly presented within the camps and developed areas of the city. Adjacent to the city, the dry lake bed of Lake Lahontan serves as a tabula rasa for hundreds of isolated artworks, ranging from small to verylarge-scale art installations, often sculptures with kinetic, electronic and fire elements.
Artwork is generally viewed as a gift that the artist makes to the community, although art grants are available to participants from the LLC via a system of curation and oversight, with application deadlines early in the year. Grants are intended to help artists produce work beyond the scope of their ownmeans, and are generally intended to cover only a portion of the costs associated with creation of the pieces, usually requiring considerable reliance on an artist's community resources. Aggregate funding for all grants varies depending on the number and quality of the submissions (usually well over 100) but amounts to several percent (on the order of $500,000 in recent years) of the grossreceipts from ticket sales. In 2006, 29 pieces were funded.
Various standards regarding the nature of the artworks eligible for grants are set by the Art Department of the LLC, but compliance with the theme and interactivity are important considerations. This funding has fostered artistic communities, most notably in the Bay Area of California, the region that has historically provided a majority of theevent's participants. There are active and successful outreach efforts to enlarge the regional scope of the event and the grant program. Among these is the Black Rock Arts Foundation (BRAF).
While BRAF does not fund any installations for the event itself, it relies on the donations from the LLC for a significant portion of its funding, and does facilitate presentation of work created for the...
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