Charles Chaplin
Chaplin like his parents became a Music Hall performer, appearing as aclown in Fred Karno’s Mumming Birds Company from 1906. In 1910 he went to the United States and with the Keystone Company in Los Angeles (1914-15) he made films in which his early hardships are reflectedin humour and sadness. In Kid Auto Races at Venice (1914), he originated the gentleman tramp routine, twirling cane, bowler, tight jacket, and baggy pants that became his trademark. He also learned todirect his own short films.
During the next four years, Chaplin consolidated his growing international reputation. At the same time he refined his tramp character into a poetic figure that combinedcomedy and pathos yet retained his meticulously timed acrobatic skills. His films grew in length and subtlety with A Dog's Life and Shoulder Arms (both 1918). After co-founding United Artists in1919, Chaplin began independent production in the 1920s of his best feature-length films: A Woman of Paris (1923), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and TheGreat Dictator (1940), his first all-talking film, in which he abandoned the tramp to parody Adolf Hitler. Among his later films only the poignant Limelight (1952) achieved popularity; the apparentcynicism of Monsieur Verdoux (1947) and A King in New York (1957) alienated audiences, while his last effort, A Countess from Hong Kong (1966), left little impression.
Although he was loved and...
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