El Moto

Páginas: 3 (680 palabras) Publicado: 21 de septiembre de 2012
As an absolute prototype of the Renaissance humanist man, Leonardo da Vinci will act as a painter, sculptor, engineer, musician, geometrician, and theoretician… a visionary whose reality will not bean appropriate framework for the complete development of his capacity. This might be the reason why his figure has come to the present time shrouded in mystery.
As it has been pointed out,throughout his whole life, his interest will focus on several subjects, but his mayor efforts will be devoted to the painting. Despite the fact that his work can be consider to be from the beginnings of theCinquecento, Leonardo’s spirit is timeless; therefore there are no capable limits to tight up his art definition.
However, it is possible to establish some of Leonardo da Vinci’s contributions tothe world of painting, materialized in the value placed on landscapes and atmospheres (which constitutes an important element to add to the whole work). The creation of the sfumato technique, theclassic symmetry of his compositions geometrically framed, besides the love of detail and veracity; responsible of the great importance this will grand to the knowledge of nature and to the priorpreparation to the execution of the piece.
Leonardo da Vinci’s Biography
Near Florence, in the Tuscan village of Vinci, Leonardo would be born in 1452, an illegitimate fruit of the romance between Pierothe notary and the peasant Catalina. Despite this fact, it is deducted from the leonardescas biographies that the treatment he received was no different than the one granted to his siblings conceivedin marriage
Melisa Granados
All these learning years turned decisive for Leonardo, not only in respect of his artistic training but also, at it seems, to his personality modeling. Is possible tofind him by 1470 at Verrocchio's house and enrolled as painter only two years later, receiving by 1478 his first assignment: a panel for the Palazzo Public that will end Filippino Lippi. By this time,...
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