El Solo Paso A Paso

disclaimer: For copyright purposes, this is a non-profit study in which I as the writer have no
intention of selling this article/text to make any form of profit. If the owners of the rights ofAutumn Leaves get up in arms over an attempt to educate young musicians about
improvisation using their piece as a vehicle for learning then you'll note that I will not publish
the melody of this songand chord changes are not able to be considered intellectual
property. Even still, if you want this removed then I will do so post haste in an attempt to
avoid being sued. I just want to talk JazzImprov.

Descargo de responsabilidad: A los efectos de derechos de autor, este es un estudio sin fines de lucro
en la que el escritor no tiene intención de vender este artículo / texto para hacercualquier tipo de beneficio.
Si los propietarios de los derechos de los "Hojas de otoño" se levanta en armas en un intento de educar
a los jóvenes músicos de la improvisación con su obra como unvehículo para el aprendizaje entonces te darás
cuenta de que no voy a publicar la melodía de esta canción y los acordes cambios no pueden ser considerados
intelectuales la propiedad. Aún así, sidesea que esta retirado entonces voy a hacer toda prisa para publicar
en un intento de evitar ser demandado. Sólo quiero hablar Jazz Improv.

Thanks so much for sharing this, Jake! You'll be happy toknow that in going from the 5th to 6th (legal) Real Book,
the compositional credits were corrected. They also went back to the / iii VI / ii V / in measures 22-23
(from the tritone subs in the5th edition).
It seems that by putting in the V7(b9) chords, you increase the pull back to the C-7. Do you mean
for these changes to be just for improvising over, or do you also mean to play themelody over the V7(b9)
in the first A section?
I'm sticking the 6th Ed. changes (transposed to Gm) in here for anyone who would like to directly compare
the Real Book changes to what you've done....