Italy

Páginas: 6 (1461 palabras) Publicado: 12 de septiembre de 2010
Date | English Name | Local Name | Remarks |
1 January | New Year's Day | Capodanno | |
6 January | Epiphany | Epifania | |
Movable | Easter Sunday | Pasqua | |
Monday after Easter | Easter Monday | Lunedì dell'Angelo, Pasquetta | |
25 April | Anniversary of Liberation | Festa della Liberazione | End of World War II in Italy, 1945 |
1 May | Labour Day | Festa dei Lavoratori | |2 June | Republic Day | Festa della Repubblica | Birth of the Italian Republic, 1946 |
15 August | Ferragosto/Assumption Day | Ferragosto and Assunzione | |
1 November | All Saints | Ognissanti or Tutti i santi | |
8 December | Immaculate Conception | Immacolata Concezione (or just Immacolata) | |
25 December | Christmas Day | Natale | |
26 December | St Stephen's Day | SantoStefano | |

VISUAL ART
Over the centuries, Italian art has gone through many stylistic changes. Italian painting is traditionally characterized by a warmth of colour and light, as exemplified in the works of Caravaggio and Titian, and a preoccupation with religious figures and motifs. Italian painting enjoyed preeminence in Europe for hundreds of years, from the Romanesque and Gothic periods, andthrough the Renaissance and Baroque periods, the latter two of which saw fruition in Italy. Notable artists who fall within these periods include Michelangelo, Leonardo da Vinci, Donatello, Botticelli, Fra Angelico, Tintoretto, Caravaggio, Bernini, Titian and Raphael.
Thereafter, Italy was to experience a continual subjection to foreign powers which caused a shift of focus to political matters,leading to its decline as the artistic authority in Europe. Not until 20th century Futurism, primarily through the works of Umberto Boccioni and Giacomo Balla, would Italy recapture any of its former prestige as a seminal place of artistic evolution. Futurism was succeeded by the metaphysical paintings of Giorgio de Chirico, who exerted a strong influence on the Surrealists and generations ofartists to follow.
LITERATURE
The basis of the modern Italian language was established by the Florentine poet Dante Alighieri, whose greatest work, the Divine Comedy, is considered amongst the foremost literary statements produced in Europe during the Middle Ages. There is no shortage of celebrated literary figures in Italy: Giovanni Boccaccio, Giacomo Leopardi, Alessandro Manzoni, Torquato Tasso,Ludovico Ariosto, and Petrarch, whose best-known vehicle of expression, the sonnet, was invented in Italy.
Prominent philosophers include Giordano Bruno, Marsilio Ficino, Niccolò Machiavelli, and Giambattista Vico. Modern literary figures and Nobel laureates are nationalist poet Giosuè Carducci in 1906, realist writer Grazia Deledda in 1926, modern theatre author Luigi Pirandello in 1936, poetsSalvatore Quasimodo in 1959 and Eugenio Montale in 1975, satirist and theatre author Dario Fo in 1997

THEATRE
Italian theatre can be traced back to the Roman tradition which was heavily influenced by the Greek; as with many other literary genres, Roman dramatists tended to adapt and translate from the Greek. For example, Seneca's Phaedra was based on that of Euripides, and many of the comedies ofPlautus were direct translations of works by Menander. During the 16th century and on into the 18th century, Commedia dell'arte was a form of improvisational theatre, and it is still performed today. Travelling troupes of players would set up an outdoor stage and provide amusement in the form of juggling, acrobatics, and, more typically, humorous plays based on a repertoire of establishedcharacters with a rough storyline, called canovaccio.

MUSIC
From folk music to classical, music has always played an important role in Italian culture. Instruments associated with classical music, including the piano and violin, were invented in Italy, and many of the prevailing classical music forms, such as the symphony, concerto, and sonata, can trace their roots back to innovations of 16th and...
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