Mustaine In a Life

Jimi Hendrix of Jimi Hendrix Experience
Gain - 4
Treble - 5
Mid - 5
Bass - 8
Reverb - 5

John Petrucci of Dream Theatre
1)Clean Channel:
Preamp Mode: Rhythm 1 Yellow
Gain: 6
Treble: 6.5
Middle: 3.5
Bass: 3
Lead 1 Drive: 0
Lead 2 Drive: 0
Master: 5.5
Presence: 8
Dynamic Voice: 7
Power Amps set on Deep And Modern

2)Main Distortion Channel:
Preamp Mode: Lead 1 Red
Gain: 6Treble: 6
Middle: 6
Bass: 4.5
Lead 1 Drive: 4.5
Lead 2 Drive: 0
Master: 4
Presence: 6.5
Dynamic Voice: 6.5
Power Amps set on Deep And Modern

3)Lead Channel:
Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)
Gain: 7.5
Treble: 4.5
Middle: 4
Bass: 5.5
Lead 1 Drive: 0
Lead 2 Drive: 6.5 Master: 6
Presence: 0
Dynamic Voice: 3

4)EFFECTS CHAIN:
Clean Sound - basic chorus sound
LeadSound - 602 and 460 millisecond delay with 3 repeats
Crunch - 26 milliseconds delay

Tom Morello of Audioslave/Rage Against the Machine
Gain - 7
Treble - 10
Mid - 4
Bass - 4
Reverb - 0

Eric Clapton of Eric Clapton
Gain - 7
Teble - 5
Mid - 7
Bass - 7
Presence - 8

Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Note tuning of B F B E Gsharp Csharp(low to high)

Jimmy Page of Led Zeppelin
Gain - 4
Treble - 8
Mid - 3
Bass - 7
Reverb - 2

Kurt Cobain of Nirvana
Gain - 7
Treble - 7
Mid - 4
Bass - 3
Reverb - 2

Eddie Van Halen of Van Halen
Gain - 6
Treble - 4
Mid - 3
Bass- 9
Reverb - 4

John Frusciante of Red Hot Chili Peppers
Gain - 4
Treble - 8
Mid - 2
Bass - 6
Reverb - 7

Kirk Hammet of Metallica
Gain - 7Treble - 7
Mid - 2
Bass - 7
Reverb - 2

Keith Richards of Rolling Stones
Gain - 4.5
Treble - 4.5
Mid - 6.5
Bass - 5.5
Reverb - 1.5
Note use of open G tuning, D G D G B D (low to high)

The Edge of U2
Gain - 1.5
Treble - 7
Mid - 5
Bass - 3
Reverb - 8.5

Brian May of Queen
Gain - 8.5
Treble - 4
Mid - 9
Bass - 5.5
Reverb - 4
Note Brian famously uses old sixpences to pick thestrings of his guitar.

Jack White of The White Stripes
Gain - 8
Treble - 7
Mid - 5
Bass - 8
Prescence - 8

Slash of Velvet Revolver
Gain - 6.5
Treble - 4.5
Mid - 7
Bass - 7
Presence - 8

Justin Hawkins of The Darkness
bass- 6
treble-8
mid-8
gain-7
reverb-5

Dimebag Darrel of Pantera
Gain - 7
Treble - 10
Mid - 4
Bass - 9
Reverb - 0

Billie Joe Armstrong (newer) of GreenDay
Drive - 6
Treble - 10
Mid - 8
Bass - 5
Reverb ? 3

Billie Joe Armstrong (older) of Green Day
Gain:9
Treble:10
Mid:8
Bass:5
Reverb:3

Dave Murray of Iron Maiden
Drive - 7
Treble - 9
Mid - 7
Bass - 4
Reverb - 0
Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially

Gary Moore of Thin Lizzy
Bass 7
Treble 7
Mids 8-10Gain 5-7 depends on song
Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb
Neck pickup

Dave Grohl of Foo Fighters
Distortion:8
Treble:7
Middle:5
Bass:3
Reverb:3 (room)

Joe Walsh of Eagles
Treble: 7
Bass:3
Mid: 4
Master:3
Reverb:2
Presence:3

Billy Corgan of Smashing Pumpkins
For songs like 1979:

Bass: 8
Mid: 7
High/Treble:6
Pickup Position: 2 or 4 (Strat)

For heavier songs like Zero or Jellybelly:

Bass: 10
Mid: 4
High/Treble: 8

Use a thick heavy distortion with medium tone and a lot of sustain.

Angus Young of AC/DC
Gain - 5
Treble - 10
Mid - 10
Bass - 5

Gary Rossington of Lynyrd Skynyrd
Treble - 5
Mid - 10
Bass - 5
Gain - 2-3

Mark Tremonti of Creed/Alter Bridge
Gain:10
Treb.:6
Mid.:3or 4
Bass:7
Presence:6

Mike McCready of Pearl Jam
Treble: 7
Mid: 7
Low: 5

Daron Malakian of System of a Down
Amp Used: Crate VFX5212
Gain: 8
Treble: 6-7
Mids: 3-5
Bass: 10
Presence: 8
Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

Tony Iommi of Black Sabbath

Gain - 7 or 8
Bass - 6
Middle - 6
Treble - 6
Channel - Overdrive

Mick Mars of Motley Crue
Gain -...