Obra de teatro
Páginas: 42 (10313 palabras)
Publicado: 24 de mayo de 2010
TUS DESEOS EN FRAGMENTOS
IRRUPCIONES CONCEPTUALES
Poéticas de textos para una Poética de espacio
UN TEXTO DE RAMON GRIFFERO
DE DONDE LEER
Desde los fragmentos de un cerebro. Las acciones están escritas en linealidad por el formato del papel pero éstas acceden a una simultaneidad escénica.
Donde las situaciones se interconectan por su lectura espacial, a través de los códigos dela narrativa visual. (objetos proyecciones)
La lectura de estos textos para la escena, se visualizan desde la perspectiva del arqueólogo, que detrás de las ideas (conceptos) subyacen ciudades... templos a desentrañar
LAS INSTALACIONES ESCÉNICAS
Estos textos están escritos para múltiples instalaciones que se arman y desvanecen, produciendo una sensación de laberinto mental, donde ideas,sueños, deseos se intertextuan con un mundo de imágenes plásticas y conceptuales, o puntos de realidad que van entregando una percepción paralela a aquella de la acción verbal descrita.
LOS HABLANTES
TU
ELLA
UNA
EL
AQUEL
Sobre los personajes: son hablantes,cada cuerpoasume diversas voces... hay voces que vuelven a emerger de un cuerpo olvidado, hay otros que son las memorias de otros que hablan por tu cuerpo, hay voces que son registros-grabaciones. Hay personajes a desentrañar que contienen a los otros. Hay hablantes en el presente-del pasado y otros del deseo.
A START THE Internal Museum
YOU: I Knew perfectly whom I desired to seduce when I bought thelilac T shirt with black edges, I looked at me in the trying room, thinking it was another the one that observed me. Therefore I delayed in electing among the scraped jeans or the hip cut pants. Yes, would tell me, I like this one. And if was the dark green shirt with the pants with suffices..?
And thus I remained dressed up.. not as they see me, these are residues, are fragments ofclothings destined to different loves. She'd have smiled with my alpaca sweater. Would pass her hand over the orange cuadrillé. Thus it dressed me, with the clothes of the other.. When perhaps was the other that desired to be dressed as I.. Never told him, neither I commented him. I would love to speak after dead person.
Around there were crimes, not the of the newspapers, not those of weaponwhite. I know that they understand me.
To how many I killed with weapons that are not grieved by any law. Nurse, nurse.. take a bic, that have something that to count him. False it would not reach, besides would think that is part of a delirium. She only would touch the bell. Never I will know, if when he caressed he was him that the pleasure, he was that the love. Badly I am not, neitherdepressed, neither bajoneado, neither nothing with evident the existential thing.. Now I am in transit. ..voy passing.. I am of tourist in this city. I visit it, I entertain me.. I am a tourist in my life..
Set against each man and woman that stop, I visit it as to a museum, are the attractions of this step. Thus there are museums that never traveled through, places. I am going to write youthat. “You were a museum of animals embalmed”. You carried me to the room that except you interested, beforehand wise that carried me al parlor of the oversight. I have the certainty.. that in them, in which I stopped.. did not I arrive never to the main exposition, I saw the transitory.. do not there was time I will say.
UN INICIO
EL Museo Interno
TU: Sabíaperfectamente a quién deseaba seducir cuando me compré
la polera lila con bordes negros, me miré en el probador, pensando que era otro el que me observaba. Por eso me demoré en elegir entre los jeans raspados o los pantalones a la cadera. Sí, me diría, este me gusta. ¿Y si era la camisa verde oscura con los pantalones con basta..?
Y así quedé vestido.. no como me ven, estos son residuos, son...
IRRUPCIONES CONCEPTUALES
Poéticas de textos para una Poética de espacio
UN TEXTO DE RAMON GRIFFERO
DE DONDE LEER
Desde los fragmentos de un cerebro. Las acciones están escritas en linealidad por el formato del papel pero éstas acceden a una simultaneidad escénica.
Donde las situaciones se interconectan por su lectura espacial, a través de los códigos dela narrativa visual. (objetos proyecciones)
La lectura de estos textos para la escena, se visualizan desde la perspectiva del arqueólogo, que detrás de las ideas (conceptos) subyacen ciudades... templos a desentrañar
LAS INSTALACIONES ESCÉNICAS
Estos textos están escritos para múltiples instalaciones que se arman y desvanecen, produciendo una sensación de laberinto mental, donde ideas,sueños, deseos se intertextuan con un mundo de imágenes plásticas y conceptuales, o puntos de realidad que van entregando una percepción paralela a aquella de la acción verbal descrita.
LOS HABLANTES
TU
ELLA
UNA
EL
AQUEL
Sobre los personajes: son hablantes,cada cuerpoasume diversas voces... hay voces que vuelven a emerger de un cuerpo olvidado, hay otros que son las memorias de otros que hablan por tu cuerpo, hay voces que son registros-grabaciones. Hay personajes a desentrañar que contienen a los otros. Hay hablantes en el presente-del pasado y otros del deseo.
A START THE Internal Museum
YOU: I Knew perfectly whom I desired to seduce when I bought thelilac T shirt with black edges, I looked at me in the trying room, thinking it was another the one that observed me. Therefore I delayed in electing among the scraped jeans or the hip cut pants. Yes, would tell me, I like this one. And if was the dark green shirt with the pants with suffices..?
And thus I remained dressed up.. not as they see me, these are residues, are fragments ofclothings destined to different loves. She'd have smiled with my alpaca sweater. Would pass her hand over the orange cuadrillé. Thus it dressed me, with the clothes of the other.. When perhaps was the other that desired to be dressed as I.. Never told him, neither I commented him. I would love to speak after dead person.
Around there were crimes, not the of the newspapers, not those of weaponwhite. I know that they understand me.
To how many I killed with weapons that are not grieved by any law. Nurse, nurse.. take a bic, that have something that to count him. False it would not reach, besides would think that is part of a delirium. She only would touch the bell. Never I will know, if when he caressed he was him that the pleasure, he was that the love. Badly I am not, neitherdepressed, neither bajoneado, neither nothing with evident the existential thing.. Now I am in transit. ..voy passing.. I am of tourist in this city. I visit it, I entertain me.. I am a tourist in my life..
Set against each man and woman that stop, I visit it as to a museum, are the attractions of this step. Thus there are museums that never traveled through, places. I am going to write youthat. “You were a museum of animals embalmed”. You carried me to the room that except you interested, beforehand wise that carried me al parlor of the oversight. I have the certainty.. that in them, in which I stopped.. did not I arrive never to the main exposition, I saw the transitory.. do not there was time I will say.
UN INICIO
EL Museo Interno
TU: Sabíaperfectamente a quién deseaba seducir cuando me compré
la polera lila con bordes negros, me miré en el probador, pensando que era otro el que me observaba. Por eso me demoré en elegir entre los jeans raspados o los pantalones a la cadera. Sí, me diría, este me gusta. ¿Y si era la camisa verde oscura con los pantalones con basta..?
Y así quedé vestido.. no como me ven, estos son residuos, son...
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