Phantom Opera

THE STAGE OF THE PARIS OPERA, 1905
(The contents of the opera house is being
auctioned off. An AUCTIONEER, PORTERS,
BIDDERS, and RAOUL, seventy now, but still
bright of eye. The action commences with a
blow from the AUCTlONEER's gavel)

AUCTIONEER
Sold. Your number, sir? Thank you.

Lot 663, then, ladies and gentlemen: a poster
for this house's production of "Hannibal" by
Chalumeau.PORTER
Showing here.

AUCTIONEER
Do I have ten francs? Five then. Five I am bid.
Six, seven. Against you, sir, seven. Eight.
Eight once. Selling twice. Sold, to Raoul,
Vicomte de Chagny.

Lot 664: a wooden pistol and three human
skulls from the 1831 production of "Robert le
Diable" by Meyerbeer. Ten francs for this. Ten,
thank you. Ten francs still. Fifteen, thank you,
sir Fifteen Iam bid. Going at fifteen. Your
number, sir?

665, ladies and gentlemen: a papier-mache
musical box, in the shape of a barrel-organ.
Attached, the figure of a monkey in Persian
robes playing the cymbals. This item,
discovered in the vaults of the theatre, still in
working order.

PORTER (holding it up)
Showing here. (He sets it in motion)

AUCTIONEER
My I start at twenty francs?Fifteen, then?
Fifteen I am bid.

(the bidding continues. RAOUL. eventually
buys the box for thirty francs)

Sold, for thirty francs to the Vicomte de
Chagny. Thank you, sir.

(The box is handed across to RAOUL. He studies it, as
attention focuses on him for a moment)

RAOUL (quietly, half to himself, half to the
box)
A collector's piece indeed . . .
every detail exactly as she said . ..

She often spoke of you, my friend ....
Your velvet lining, and your figurine of lead...

Will you still play,
when all the rest of us are dead?

(Attention returns to the AUCTIONEER, as he
resumes)

AUCTIONEER
Lot 666, then: a chandelier in pieces. Some of
you may recall the strange affair of the
Phantom of the Opera: a mystery never fully
explained. We are told ladies andgentlemen,
that this is the very chandelier which figures in
the famous disaster. Our workshops have
restored it and fitted up parts of it with wiring
for the new electric light, so that we may get a
hint of what it may look like when re-
assembled. Perhaps we may frighten away the
ghost of so many years ago with a little
illumination, gentlemen?

(The AUCTIONEER switches on the chandelierThere is an enormous flash, and the OVERTURE
begins. During the overture the opera house is
restored to its earlier grandeur. The chandelier
immense and glittering, rises magically from
the stage, finally hovering high above the
stalls)

ACT 1
Scene 1
REHEARSALS FOR "HANNIBAL" BY CHALUMEAU

(We have reached the great choral scene in
which HANNIBAL and his army return to save
Carthagefrom the Roman invasion under
Scipio. HANNIBAL is UBALDO PIANGI;
ELISSA, Queen of Carthage (his mistress) is
CARLOTTA GUIDICELLI. The two leading
SLAVE GIRLS are played by MEG GIRY and
CHRISTINE DAAE. MME. GIRY is the ballet
mistress. M. REYER, the repetiteur, is in
charge.

We join the opera towards the end of ELISSA's
(CARLOTTA's) great aria. She is alone, holding
a pre. from theapproaching HANNIBAL, a
bleeding severed head)

CARLOTTA (at the climax of an extravagant cade)
This trophy from our saviours, from the
enslaving force of Rome!

(A STAGE HAND carries a ladder across the
stage. OTHERS are seen still constructing
parts of the scenery)

GIRLS' CHORUS
With feasting and dancing and song,
tonight in celebration
we greet the victorious throng,
returned tobring salvation!

MEN'S CHORUS
The trumpets of Carthage resound !
Hear, Romans, now and tremble!
Hark to our step on the ground!

ALL
Hear the drums - Hannibal comes!

(PIANGI enters, as HANNIBAL)

PIANGI (HANNIBAL)
Sad to return to find the land we love
threatened once more by Roma's far-reaching
grasp.

REYER (interrupting him)
Signor . . . if you please: "Rome". We say
"Rome'...