Pibes

EMO

Origins: 1980s

Emo emerged from the hardcore punk scene of early-1980sWashington, D.C., both as a reaction to the increased violence within the scene and as an extension of the personalpolitics espoused by Ian MacKaye of Minor Threat, who had turned the focus of the music from the community back towards the individual. Minor Threat fan Guy Picciotto formed Rites of Spring in 1984,breaking free of hardcore's self-imposed boundaries in favour of melodic guitars, varied rhythms, and deeply personal, impassioned lyrics. Many of the band's themes would become familiar tropes in latergenerations of emo music, including nostalgia, romantic bitterness, and poetic desperation. Their performances became public emotional purges where audience members would sometimes weep. MacKaye becamea huge Rites of Spring fan, recording their only album and serving as their roadie on tour, and soon formed a new band of his own called Embrace which explored similar themes of self-searching andemotional release. Similar bands soon followed in connection with the "Revolution Summer" of 1985, a deliberate attempt by members of the Washington, D.C. scene to break from the rigid constraints ofhardcore in favor of a renewed spirit of creativity. Bands such as Gray Matter, Beefeater, Fire Party, Dag Nasty, Lunchmeat, and Kingface were connected to this movement.

The exact origins of theterm "emo" are uncertain, but date back to at least 1985. According to Andy Greenwald, author of Nothing Feels Good: Punk Rock, Teenagers, and Emo, "The origins of the term 'emo' are shrouded in mystery[...] but it first came into common practice in 1985. If Minor Threat was hardcore, then Rites of Spring, with its altered focus, was emotional hardcore or emocore." Michael Azerrad, author of OurBand Could Be Your Life, also traces the word's origins to this time: "The style was soon dubbed 'emo-core,' a term everyone involved bitterly detested, although the term and the approach thrived for...