Salsa Y Reggaeton Ritmos Hermanos

Páginas: 2 (376 palabras) Publicado: 10 de marzo de 2013
Of pa,pa,pa music to the flow

In all countries of the world people listen to music. Music changes from one region to another. The styles, melody, culture, diversity, sounds, in music aredifferent. However, many music styles share some remarkable resemblance. The Salsa and Reggaeton are grandiloquent genres of music. Their styles, rhythm, and dancing are different. Some people might thinkthat, these two genres don’t have anything in common. Once they listen to this music, it’s rhythm makes you think they do.
One important similarity and the most significant between these twogenres, is the lyric of the singer. The genre relates or describes a socio-cultural history. It presents its social setting and cultural situation. The followers identifies themselves with the lyrics, asit sings along their everyday realities. Experiences of people and their success in life are projected in most of the songs. Moreover, most songs presents the problematic of the street, theneighborhood and the marginalized sector of the society.
Another similarity of the music is the style in which the songs are composed. Both genres use “la clave” of the music to write songs. Basically, forsinger of salsa music, the regggeaton is the modern salsa. Musically, both styles are a mixture of different rhythms, they are mutants genres that mark the pulse of Latin music. Moreover, in bothrhythm the musicians’ “tiraera” are transformed into big spectaculars. This is were the phrase “pa bravo yo” in Salsa, was borned.
Finally, they started out the neighborhood without money or glory, andwere considered by the some people like underground music. Both genres have work hard to gain the public affection. Thus, time has reached the pinnacle and this music has been appreciated by themultitude, becoming favorite genres. This change is important because it recognizes the hard work of two genres. They managed to conquer the world with their effort and talent.
In conclusion, the...
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