Sendak

Páginas: 2 (368 palabras) Publicado: 18 de diciembre de 2012
Biography
For more than forty years, the books Maurice Sendak has written and illustrated have nurtured children and adults alike and have challenged established ideas about what children'sliterature is and should be. The New York Times has recognized that Sendak's work "has brought a new dimension to the American children's book and has helped to change how people visualize childhood."Parenting recently described Sendak as "indisputably, the most revolutionary force in children's books."
Winner of the 1964 Caldecott Medal for Where the Wild Things Are, in 1970 Sendak became the firstAmerican illustrator to receive the international Hans Christian Andersen Award, given in recognition of his entire body of work. In 1983, he received the Laura Ingalls Wilder Award from the AmericanLibrary Association, also given for his entire body of work.
Beginning in 1952, with A Hole Is to Dig by Ruth Krauss, Sendak's illustrations have enhanced many texts by other writers, including theLittle Bear books by Else Holmelund Minarik, children's books by Isaac Bashevis Singer and Randall Jarrell, and The Juniper Tree and Other Tales from Grimm. Dear Mili, Sendak's interpretation of a newlydiscovered tale by Wilhelm Grimm, was published to extraordinary acclaim in 1988.
In addition to Where the Wild Things Are (1963), Sendak has both written and illustrated
The Nutshell Library(1962), Higglety Pigglety Pop! (1967), In the Night Kitchen (1970), Outside Over There (1981), and, We Are All in the Dumps with Jack and Guy (1993). He also illustrated Swine Lake (1999), authored by JamesMarshall, Brundibar (2003), by Tony Kushner, Bears (2005), by Ruth Krauss and, Mommy? (2006), his first pop-up book, with paper engineering by Matthew Reinhart and story by Arthur Yorinks.
Since1980, Sendak has designed the sets and costumes for highly regarded productions of Mozart's The Magic Flute and Idomeneo, Janacek's The Cunning Little Vixen, Prokofiev's
The Love for Three Oranges,...
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