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In the eighties excess, the explosion and the revolution took their toll onsociety. If he cried on corporate margins and the only sound the hum noise from the shouting the price of stocks on Wall Street, the night sounded like the uncorking of bottles of champagne, the excessfor excess and Studio 54. The society dreamed of noise, the bustle, the solid sound of celebrities mingling with the crowds, noise and ecstasy in every way-sprouting. Armani is at that time what to sayWorking Girl Tess "a mind for finance and a body for sin."
But in recent years is a severe Armani designer eager to win but it is, although very popular and although they all adore him, minimized.Armani dress only the elite: the rich, powerful men and women in business. And Armani wants more. Became famous not only for the general public with American Gigolo, but his iconic empire extends toother
slopes more "democratic." Comes the scent of Armani, Emporio Armani and the beginning of the Empire.
They say that in the eighties, the night was not really night. You could meet AndyWarhol and American dressed in jeans, the creator of the look when you call everyone who is anyone knows that it is not but that really is its democratization, and you could find a young woman wrapped ingold lame or a rising star on a horse. Nocturnal dreams ended in the massive concrete walls 54, but the street, fashion on the runways was something else. Armani set about creating a simple and...
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