The tempest

Páginas: 2 (352 palabras) Publicado: 12 de diciembre de 2011
The story starts when Miranda and Prospero where expelled to an island because her brother wants vengeance, because she what’s the heiress from Milan. She, Prospero, made a tempest to get Antio,Alonso and Ferdinand to the island that was the one that was view in the videos. She did that to disturb Antonio (Prospero's brother) and Alonso, because of vengeance. Prospero have a server who was aspirit, called Ariel. She was responsible to bother a prisoner that lives in the island. Prospero was not happy with the relationship between Miranda and Ferdinand. There was also a slave who receiveslike a "sub-slave" Ferdinand, because of the unconformity of Prospero with Miranda. While the time, talking with the slave, Caliban, he revealed and he gets free from Caliban. Ferdinand gets in lovewith Miranda, and vice verse, finally Prospero approves the relation with the unique condition that they won't have sex before the marriage. Prospero forgives her brother, Antonio, and she sets freeAriel. She breaks her stick and they all live happy forever.

I like the changing room about the actors, how was set the lights and the sound. Also I like that they modify the play to theirpossibilities, setting Prospero as a girl and changing the entire role. The most things I disagree, was theater, the seats are to small for a large play, they make my get bored and sleepy, my legs getcramped. A thing about the play was that if you get distracted a little moment you loose a lot of info and it was difficult to return to the play. Also I think that the video part was unnecessary, theycan get two or three more actors to do that part, or themselves during they were back stage.

I really recommend the play; it is cool for someone that usually goes to theater to watch plays. Notrecommended for little boys, like the ones that “Renacimiento” get to the play, probably they will get bored. The play was cool, but maybe the "Armando Manzanero" was not the best place for playing it.
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