Vanguardias

Consignas:
1) Investigar en las canciones de rock nacional la violación a las normas lingüísticas y de la tradición estética: mezcla idiomática, inversión de palabras, neologismo, juegos de palabras, intertextualidad.
2) Investiga la obra poética del siguiente escritor: “Amado Nervo”. Lee de la producción poética del mismo. Organiza un texto de característica argumentativa para defenderel ideario político del autor.

1) La banda que se eligió para realizar la actividad hacia las violaciones de las normas lingüísticas y de tradición estética fue: “Sumo”
* Se puede observar en la canción Nextweek una mezcla idiomática, donde la canción está escrita en inglés y se intercalan párrafos en español, también realizando un juego de palabras entre next week y nest-quick.

NextweekCome one little baby
want you love next week
I want to love you next week
Come on lady
show me next week
I want to show you next week
I said come on baby
know me next week
I wanna know you next week
I said come on lady
do it next week
I want to do it next week
y eah!!
Dame nena dame nest-quick
quiero tu nest-quick
Digo: dale baby
dame nest-quick
necesito nest-quick
I said comeon little lady
show me next week
I want to show you next week
Come on sweet dream thing
give me next week
I want to have it next week
Come on lady
show me next week
I want to show you next week
quiero
quiero
quiero
I really, I wanna
really, I wanna
really, oh, oh, oh!

*
* El neologismo se puede observar por ejemplo en las canciones “Kaya”, “La rubia tarada” y en“Crua-chan” entre otras ya que utilizan palabras inventadas sin ningún sentido.

Kaya

Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Would you Let me tell you about something
Bigger than a big bamboo
And me and you
And the fat guru
Would you Let Let me tell you about something
Bigger than a big bamboo
And me and you
And the fat guru
Itell you
It's Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Don't you know one day
I used to be so mad
I'd treat my woman so bad
And then I get so sad
Don't you know one day
I used to be so mad
I'd treat my woman so bad
And then I get so sad
And then I smoke a little Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh Kaya
Kaya, oh,oh KayaKaya, oh,oh Kaya
Kaya, oh,oh Kaya

Crua chan

By the left, quick march, Crua chan!
It was seven hundred and forty-five,
the highland spirit had revived,
Mac Dougall and Mac Donald there,
the clans had come from everywhere, singing:
Fee fi fo fum,
I smell the blood of a Englishman,
fee fi fo fum,
come on London, here we come.
We went all the way down south,
we were frothening at themouth,
coming down to Derby town,
we'd beaten everyone around, singing:
Fee fi fo fum,
I smell the blood of a Englishman,
fee fi fo fum,
come on London, here we come.
Ended at Culloden moor,
feeling bad and feeling poor,
the redcoats had chased we there,
there we died and there we stayed, singing:
Fee fi fo fum,
I smell the blood of a Scotsman,
fee fi fo fum,
United Kingdom here wecome.
We the bonnie prince has gone back home, he's never gonna come back.
We'll do it to you at Wembley, we'll do it to you in pubs,
with the Scottish louts larking about.
Here come your rats, cruachan lad.

* La intertextualidad se ve en “Heroína” donde utiliza la palabra “Wellapom” haciendo referencia a una marca de Shampo. También se observa mezcla idiomática en la canción.

HeroínaI’m in love with this modern world
I’m in love with these modern girls
I used to love an english girl
And now I love a little german girl
I used to love an italian girl
And now I love an argentinian girl
I used to love this rock and roll world
But now I love that old suicide world
But there’s something
Something I can’t forget
Because it’s in my head
And I think about it when I’m in...