Kabuki
Kabuki today
The immediate post-World War II era was a difficult time for kabuki. Besides the devastation caused to major Japanese cities as a result of the war, the popular trendwas to reject the styles and thoughts of the past, kabuki among them. Director Tetsuji Takechi's popular and innovative productions of the kabuki classics at this time are credited with bringing abouta rebirth of interest in kabuki in the Kansai region. Of the many popular young stars who performed with the Takechi Kabuki, Nakamura Ganjiro III (b. 1931) was the leading figure. He was first knownas Nakamura Senjaku, and this period in Osaka kabuki became known as the "Age of Senjaku" in his honor.
Performance
There are three main categories of kabuki play: jidai-mono (時代物, historical, orpre-Sengoku period stories), sewa-mono (世話物, domestic, or post-Sengoku stories), and shosagoto (所作事, dance pieces).
Jidaimono, or history plays, were often set within the context of major events inJapanese history. Strict censorship laws were in place almost throughout the entire Edo period, prohibiting the representation of contemporary events and particularly prohibiting criticism of the...
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