Manual de color 1.5
Páginas: 460 (114817 palabras)
Publicado: 21 de febrero de 2011
Color
User Manual
Copyright © 2009 Apple Inc. All rights reserved. Your rights to the software are governed by the accompanying software license agreement. The owner or authorized user of a valid copy of Final Cut Studio software may reproduce this publication for the purpose of learning to use such software. No part of this publication may be reproduced or transmitted for commercialpurposes, such as selling copies of this publication or for providing paid for support services. The Apple logo is a trademark of Apple Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Shift-Option-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws.Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. Note: Because Apple frequently releases new versions and updates to its system software, applications, and Internet sites, images shown in this manual may be slightly different from what you see on your screen.
Apple 1 Infinite Loop Cupertino, CA 95014408-996-1010 www.apple.com Apple, the Apple logo, ColorSync, DVD Studio Pro, Final Cut, Final Cut Pro, Final Cut Studio, FireWire, Mac, Mac OS, QuickTime, and Shake are trademarks of Apple Inc., registered in the U.S. and other countries. Cinema Tools, Finder, and Multi-Touch are trademarks of Apple Inc. Production stills from the film “Les Poupets” provided courtesy of Jean-Paul Bonjour. “LesPoupets” © 2006 Jean-Paul Bonjour. All rights reserved. http://jeanpaulbonjour.com Other company and product names mentioned herein are trademarks of their respective companies. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. Apple assumes no responsibility with regard to the performance or use of these products. Contents
Preface
9 9 10 10 13 13 16 23 28 35 35 37 39 47 50 56 65 73 77 78 78 82 88 91 92 92 95 95 101 102
Welcome to Color About Color About the Color Documentation Additional Resources Color Correction Basics The Fundamental Color Correction Tasks When Does Color Correction Happen? Image Encoding Standards Basic Color and Imaging Concepts Color Correction Workflows An Overview of the ColorWorkflow Limitations in Color Video Finishing Workflows Using Final Cut Pro Importing Projects from Other Video Editing Applications Digital Cinema Workflows Using Apple ProRes 4444 Finishing Projects Using RED Media Digital Intermediate Workflows Using DPX/Cineon Media Using EDLs, Timecode, and Frame Numbers to Conform Projects Using the Color Interface Setting Up a Control Surface Using OnscreenControls Using Organizational Browsers and Bins Using Color with One or Two Monitors Importing and Managing Projects and Media Creating and Opening Projects Saving Projects Saving and Opening Archives Moving Projects from Final Cut Pro to Color Importing EDLs EDL Import Settings
Chapter 1
Chapter 2
Chapter 3
Chapter 4
3
104 105 106 112 114 115 115 117 118 Chapter 5 119 119 122 128129 135 135 149 149 151 153 159 161 162 163 165 166 166 169 170 171 172 174 175 176 183 183 185 187
Relinking Media Importing Media Directly into the Timeline Compatible Media Formats Moving Projects from Color to Final Cut Pro Exporting EDLs Reconforming Projects Converting Cineon and DPX Image Sequences to QuickTime Importing Color Corrections Exporting JPEG Images Configuring the Setup RoomThe File Browser Using the Shots Browser The Grades Bin The Project Settings Tab The Messages Tab The User Preferences Tab Monitoring Your Project The Scopes Window and Preview Display Monitoring Broadcast Video Output Using Display LUTs Monitoring the Still Store Timeline Playback, Navigation, and Editing Basic Timeline Elements Customizing the Timeline Interface Working with Tracks Selecting...
User Manual
Copyright © 2009 Apple Inc. All rights reserved. Your rights to the software are governed by the accompanying software license agreement. The owner or authorized user of a valid copy of Final Cut Studio software may reproduce this publication for the purpose of learning to use such software. No part of this publication may be reproduced or transmitted for commercialpurposes, such as selling copies of this publication or for providing paid for support services. The Apple logo is a trademark of Apple Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Shift-Option-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws.Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. Note: Because Apple frequently releases new versions and updates to its system software, applications, and Internet sites, images shown in this manual may be slightly different from what you see on your screen.
Apple 1 Infinite Loop Cupertino, CA 95014408-996-1010 www.apple.com Apple, the Apple logo, ColorSync, DVD Studio Pro, Final Cut, Final Cut Pro, Final Cut Studio, FireWire, Mac, Mac OS, QuickTime, and Shake are trademarks of Apple Inc., registered in the U.S. and other countries. Cinema Tools, Finder, and Multi-Touch are trademarks of Apple Inc. Production stills from the film “Les Poupets” provided courtesy of Jean-Paul Bonjour. “LesPoupets” © 2006 Jean-Paul Bonjour. All rights reserved. http://jeanpaulbonjour.com Other company and product names mentioned herein are trademarks of their respective companies. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. Apple assumes no responsibility with regard to the performance or use of these products. Contents
Preface
9 9 10 10 13 13 16 23 28 35 35 37 39 47 50 56 65 73 77 78 78 82 88 91 92 92 95 95 101 102
Welcome to Color About Color About the Color Documentation Additional Resources Color Correction Basics The Fundamental Color Correction Tasks When Does Color Correction Happen? Image Encoding Standards Basic Color and Imaging Concepts Color Correction Workflows An Overview of the ColorWorkflow Limitations in Color Video Finishing Workflows Using Final Cut Pro Importing Projects from Other Video Editing Applications Digital Cinema Workflows Using Apple ProRes 4444 Finishing Projects Using RED Media Digital Intermediate Workflows Using DPX/Cineon Media Using EDLs, Timecode, and Frame Numbers to Conform Projects Using the Color Interface Setting Up a Control Surface Using OnscreenControls Using Organizational Browsers and Bins Using Color with One or Two Monitors Importing and Managing Projects and Media Creating and Opening Projects Saving Projects Saving and Opening Archives Moving Projects from Final Cut Pro to Color Importing EDLs EDL Import Settings
Chapter 1
Chapter 2
Chapter 3
Chapter 4
3
104 105 106 112 114 115 115 117 118 Chapter 5 119 119 122 128129 135 135 149 149 151 153 159 161 162 163 165 166 166 169 170 171 172 174 175 176 183 183 185 187
Relinking Media Importing Media Directly into the Timeline Compatible Media Formats Moving Projects from Color to Final Cut Pro Exporting EDLs Reconforming Projects Converting Cineon and DPX Image Sequences to QuickTime Importing Color Corrections Exporting JPEG Images Configuring the Setup RoomThe File Browser Using the Shots Browser The Grades Bin The Project Settings Tab The Messages Tab The User Preferences Tab Monitoring Your Project The Scopes Window and Preview Display Monitoring Broadcast Video Output Using Display LUTs Monitoring the Still Store Timeline Playback, Navigation, and Editing Basic Timeline Elements Customizing the Timeline Interface Working with Tracks Selecting...
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