Planos de The yellow Handckerchief

Páginas: 3 (745 palabras) Publicado: 8 de enero de 2014
PLANO 1: PML/PMC/normal/frontal/perfil. Audio: música PP, Ruido de la puerta de la celda abriéndose pasa PP dejando la música en 2P, en 3P los ruidos de los fluorescentes y voces.
PLANO 2:PGL/plano fijo/normal. Audio: en PP sonido ambiente y voces.
PLANO 3: PP/dorsal/normal/travelling. Audio: sonido ambiente en 2P y voces en PP.
PLANO 4: PG/normal/PAN de seguimiento/plano fijo. Audio: en2P sonido ambiente y en PP voces.
PLANO 5: PP/contrapicado ligero/frontal. Audio: en PP música y en 2P sonido ambiente.
PLANO 6: Panorámica/plano fijo. Audio: en PP la música y en 2P sonidoambiente.
PLANO 7: PP/ frontal/fundido a negro. Audio: en PP música.
PLANO 8: PML/PMC/perfil/normal/PAN de seguimiento. Audio: en PP la música, la puerta abriéndose en PP (fade out de la música) en 2Pqueda el sonido ambiente y en PP los diálogos.
PLANO 9: PM/normal/plano fijo. Audio: en PP el diálogo y en 2P la puerta.
PLANO 10: PA/plano fijo/plano americano. Audio: en PP el diálogo y en 2P elsonido de la caja registradora.
PLANO 11: PMC/normal/plano fijo. La caja registradora en 2P y en PP el diálogo.
PLANO 12: PMC/plano fijo/normal. Audio: La caja registradora en 2P y en PP el diálogo.PLANO 13: PMC/normal/PAN de seguimiento. Audio: en PP la caja registradora y en 2P la radio.
PLANO 14: PMC/plano fijo/contrapicado. En 2P la radio y en PP el diálogo.
PLANO 15: Plano fijoligeramente a la izquierda/normal/frontal. Audio: en PP el diálogo y en 2P la radio y sonido ambiente de la calle.
PLANO 16: Travelling de seguimiento. Audio: sonidos de la calle y gente hablando. Es sonidoambiente en PP.
PLANO 17: PD. Audio: música en PP.
PLANO 18: PP/plano fijo/normal/3/4. Audio: Diálogo en PP. Sonido del folio de papel arrancado en PP y música en 2P.
PLANO 19: PA/travelling deseguimiento. Audio: en PP las voces y la radio.
PLANO 20: PMC/frontal y ligeramente a la derecha/plano fijo. Audio: en PP la radio y sonido ambiente de la calle.
PLANO 21: PA/normal/travelling de...
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