Tabs

One main features of his playing is his use of 'double stops’, where two notes are played together to get a fatter, fuller sound. The following lick is from Out Ta Get Me:|------------------------------------|-------------------|
|--17b-17b-17b-17b-17b-17b--17-15-17-|--------17-17-15b--|
|--17b-17b-17b-17b-17b-17b--17-15-17-|--------17-17-15b--||------------------------------------|-17-15-------------|
|------------------------------------|-------------------|
|------------------------------------|-------------------|

I would advise you to play the 2 notes together using your thirdfinger, as it can get very tight to use two fingers on the high frets (if you’re playing along to the recording, note that it is tuned half a step down: Eb, Ab, Db, Gb, Bb, Eb).
The next riff istaken from Paradise City, where, rather than relying on playing in the 'right mode’, he plays a series of furious hammer-ons to create a swelling effect. It might not sound great slow, but practice witha metronome, built your speed up, and you’ll be able to rip it off nicely. Practise this lick to increase finger dexterity as well:

||----------------------------------------------|||----------------------------------------------|
||-------------------------------------15h16h17-|
||-------------------15h16h17-15h16h17----------|
||-15h16h17-15h16h17----------------------------|||----------------------------------------------|

|-----------------------------------------------|-----------15--------------------||--------------------15h16h17----------15h16h17-|-16h17h-18----18b20=(18)r--------|
|----------15h16h17-----------15h16h17----------|---------------------------------|
|-15h16h17--------------------------------------|---------------------------------||-----------------------------------------------|---------------------------15\---|
|-----------------------------------------------|---------------------------------|

Rather surprisingly, Slash also uses...