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CONTENTS

REVIEW SECTION 4 Review- The Key of C Major. DOWN IN THE VALLEY. 6 Review- The Key of A Minor. TUMBALALAIKA. 8 Technique Builder: Crossing 1 Under 2. LIGHT AND BLUE. 10 Technique Builder: Crossing 1 Under 3. ROMAN HOLIDAY. 12 Review- The Key of F Major. MORNING HAS BROKEN. 14 A New Time Signature (6/8 time). LA RASPA. 16 Review- The Key of D Minor. SCHERZO. 18INTRODUCTION AND DANCE. 20 Review- The Key of G Major. LA CUCARACHA 22 24 26 28 30 32 33 34 35 36
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THE KEY OF E MINOR The E Harmonic Minor Scale. The Primary Chords in E Minor. SAKURA (Cherry Blossoms). WAVES OF THE DANUBE. THE KEY OF D MAJOR The D Major Scale. ROCK-A MY SOUL. The Primary Chords in D Major. YOU'RE IN MY HEART. BRAHMS' LULLABYE. LONESOME ROAD. THE CHROMATIC SCALE TheChromatic Scale. Chromatic Warm-ups. VILLAGE DANCE. IN VERSlONS OF TRIADS The 1st Inversion. THE HOKEY-POKEY. The 2nd Inversion. Triads in AII Positions. FAREWELL TO THEE (ALOHA OE). TWO.PART WRITING Two-Part Writing. POMP AND CIRCUMSTANCE (Elgar). SEVENTH CHORD REVIEW

23 THE HOUSE OF THE RISING SUN.

38 NIGHT SONG.
40

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:

41 A New Time Signature (2/4 time). SPACE SHUTTLE BLUES.
42 43 4446 The Complete "7th Chord Vocabulary."
47 SWINGING SEVENTHS.

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Review- The Key of C Major
Primary chords in C Major:

~
.

Block chords C
3. 5.

~~i~~~1. 1:
2 5.

F

2. 5.

1.
y7

G7

I

IV

,

Broken chords C

F

G7

C

F

G7

~);~ ~ ~ ~
3

I~

~
2

~

I~~~II~
2

~

~

I~ ~ ~ I~~~II

Do WN IN TUE V ALLEY
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5

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~ --~~::::==::==::: G7

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rEXTENDED POSITION~ 1, 23 ~

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I

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low,
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Late

in

the

eve

5

1 2

You are now ready to begin ADULT ALL- TIME FAVORITES BOOK 2, ADULT CHRISTMAS BOOK 2, ADULT POP SONG BOOK 2,ADULT SACRED BOOK 2 and ADULT THEORY BOOK 2. '"

5

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4
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C

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blow.

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ning,

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wind

blow,
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love,

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wind

13

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5

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ning,
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blow.
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rEXTENDED POSIJIO~8l
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6

Review- The Key of A Minor
REMEMBER! The keys of C MAJOR and A MINOR are calledRELATIVES, because they have the same key signature: no sharps, no flats.

Primary chords in A minor: Block chords Am
~ : ~~~~i~. 1.
5 3 . . 5 2

Broken chords Dm
1. ;' :
. . 5. 2

E7
. ~ ~

Am
~!
~
I

Dm
~ ~
~ I #

E7
:=f:=f
~ 11

i

iv

y7

5

.

1 3

.5
IV

1 2

5
y7

1
2

REMEMBER:

Small Roman numerals (i & iv) are used to indicate minorchords.

TUMBALALAIKA

AII egro mo d era t 0
Am 4 2 E7 3 .

I

Traditional

5
I

1
3 J' 2 I 5

I

J\

3

1

rEXTENDED

POSITION-;:l

F

Dm

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5

5

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Am

1-

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1

I

J\

3

1\

2

1

l

ooc

,=~~--.

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1\

-,-

~3

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I

7
Dm . E7 1 2 Am

.

--A 4 2

1\

1\

1\

I 2

>-

.

E7

. .I

1\

I

4 2

Am >.

I

/\ POSITIONFl Dm Am

I

r EXTENDED
1~2

3

5-9

3 "";

5~"--""'---;~

:-_':_~

~~ "" 3

I Dm 'î c-,

1\ E7 1 2

1\

/\ Am 1':'\ . I":".

--A

/\ - . --

1\

1\

I

8

Technique Builder: Crossing In
It is important to develop the ability to cross 1 under 2 and 1 under 3 with a relaxed wrist, and with no
"twisting"...