Lolo
tension has beenreached, more tension would only make the lips "wooden" and vibrationless. At this point we further tension only the tiny vibrating edges of the lips which a re inside the mouthpiece. This effect can befelt in the lips and yet the change from note to note can hardly be observed from the outside as the lip change takes place entirely inside the mouthpiece. The feeling can best be described as a"flick" of the lip from note to note: a "mouthing" such as a goldfish makes; a "mouthing" similar to saying a series of the letter 'P', P-P-P-P-P, however, without ever closing the lips entirely. Theresult, when properly done, produces a slur from note to note which jumps into place so easily that there is almost no effort connected with it, even though the jump might be from a high written "G" tothe high "C" above it. Here is a lip exercise to help develop this faculty. Make the notes "jump" lightly into place with a flick of the lip - do not "pull" up from note to note by a laborious, slow...
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