Historia Del Cine Negro

Film noir
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Two silhouetted figures in The Big Combo (1955). The film's cinematographer was John Alton, the creator of many of film noir's iconic images.
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded asstretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression.
The term film noir(French for "black film"),[1] first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era.[2] Cinema historians and critics defined the noir canon in retrospect; before the notion was widely adopted in the 1970s, many of the classic film noirs were referred to as melodramas.[a] The question of whether film noirqualifies as a distinct genre is a matter of ongoing debate among scholars.
Film noirs encompass a range of plots—the central figure may be a private eye (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.) Though thenoir mode was originally identified among American productions, films now customarily described as noir have been made around the world. From the 1960s onward, many pictures have come out that share attributes with film noirs of the classic period, often treating noir conventions in a self-reflexive manner. Such latter-day works in a noir mode are often referred to as neo-noirs.
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|Contents |
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|1 Problems of definition|
|2 Precursors |
|2.1 Literary sources |
|3 Classic period |
|3.1 Directors and the business of noir|
|4 Film noir outside the United States |
|5 Neo-noir and echoes of the classic mode |
|5.1 1960s and 1970s |
|5.2 1980s and 1990s|
|5.3 2000s |
|5.4 Science fiction noir |
|6 Film noir parodies |
|7 Approaches to defining noir|
|7.1 Visual style |
|7.2 Structure and narrational devices |
|7.3 Plots, characters, and settings |
|7.4 Worldview, morality, and tone |
|8 See also...