Entrenamiento del oido

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Audio Production And criticAl listening
Technical Ear Training

Focal Press is an imprint of Elsevier

Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX51GB, UK © 2010 Elsevier, Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies andour arrangements with organizuations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As newresearch and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their ownsafety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of product liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, orideas contained in the material herein. Library of Congress Cataloging-in-Publication Data Corey, Jason. Audio production and critical listening : technical ear training/Jason Corey. p. cm. Includes bibliographical references and index. ISBN 978-0-240-81295-3 (alk. paper) 1. Auditory perception. 2. Listening. 3. Ear training. 4. Sound—Recording and reproducing—Evaluation. I. Title. TA365.C678 2010781.49—dc22 2009052978 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-0-240-81295-3 For information on all Focal Press publications visit our website at www.elsevierdirect.com 10 11 5 4 3 2 1

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This book would not have come about without the directand indirect assistance of many people. First, I want to thank all those who have imparted their wisdom and experience about critical listening skills to me, most notably: Peter Cook, John Klepko, Geoff Martin, Tim Martyn, George Massenburg, René Quesnel, and Wieslaw Woszczyk. Thank you to those who helped with the preparation of the manuscript: Steve Bellamy, Justin Crowell, and Tim Sullivan.Thank you to Christopher Kendall, Mary Simoni, Rebecca Sestili, and the Office of the Vice-President for Research at the University of Michigan, as well as Theresa Leonard and The Banff Centre for invaluable support at various points throughout this project. Thank you to Mike Halerz for the cover design. Thank you to students at the University of Michigan and McGill University who provided feedbackand suggestions during the development of the ear training software modules. Thank you to Catharine Steers, Carlin Reagan, Tahya Pawnell, and Laura Aberle at Focal Press for editorial guidance and software testing. Finally, I would like to thank my wonderful wife, Jennifer, for her love and support.



The practice of audio engineering is both an art and a...
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