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Publicado: 4 de marzo de 2013
Giuliani 120+
by Christopher Davis
www.classicalguitarblog.net www.christopherguitar.net
TABLE OF CONTENTS
About This Book .......................................................................................................3 Arpeggio Technique ..................................................................................................5 Practice Strategies.....................................................................................................8 Taking Giuliani Further...........................................................................................12 Practice Schedules ...................................................................................................13 The Studies..............................................................................................................14 Level I ...........................................................................................................14 Level II ..........................................................................................................16 Level III.........................................................................................................18Level IVa.......................................................................................................20 Level IVb ......................................................................................................21 Level Va ........................................................................................................22 Level Vb - Group 1.......................................................................................24 Level Vb - Group 2 .......................................................................................26 Level VIa.......................................................................................................28 Level VIb - Group 1 ......................................................................................30 Level VIb -Group 2 ......................................................................................33 Level VII .......................................................................................................35
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ABOUT THIS BOOK
Why the 120 Studies? Classical guitarists spend a lot of time playing right hand arpeggios. Mauro Giuliani (1781-1829) knewthis, and his own music made extensive use of arpeggios. Its no wonder is very first opus number includes the 120 right hand studies. Today these studies are still an essential part of any classical guitarist's curriculum. As an undergraduate guitar major, I worked extensively with the 120 studies. It's my pleasure to present this book, an expansion of Giuliani's work with additional arpeggioexercises and text. In this book you'll find all of the 120 studies in standard notation, additional studies, practice suggestions, and a few ways to take Giuliani further. The studies are grouped into Levels. All studies in this book are listed with their original numbers next to them. Additional studies are presented at the end of levels one, two, and three where necessary.
About the Levels Thegroups of this book are based on two things: difficulty and purpose. The first groups are all what I call simple repeated patterns. The first covers three finger arpeggios (p i m, p m i, p i a, etc.). The second group covers three finger arpeggios with a repeated finger (p i m i, p a i a, etc.). The third group covers four finger arpeggios (p i m a, p a m i, etc.). From there it gets a bit morecomplicated. Levels 4-6 are divided into two halves. The halves labeled "a" involve only one finger at a time; the halves labeled "b" involve combinations of fingers such as playing p and i together. Level seven contains the final, most virtuosic studies. The original study numbers are retained only for your reference; because of the reordering they do not have much significance in this book....
by Christopher Davis
www.classicalguitarblog.net www.christopherguitar.net
TABLE OF CONTENTS
About This Book .......................................................................................................3 Arpeggio Technique ..................................................................................................5 Practice Strategies.....................................................................................................8 Taking Giuliani Further...........................................................................................12 Practice Schedules ...................................................................................................13 The Studies..............................................................................................................14 Level I ...........................................................................................................14 Level II ..........................................................................................................16 Level III.........................................................................................................18Level IVa.......................................................................................................20 Level IVb ......................................................................................................21 Level Va ........................................................................................................22 Level Vb - Group 1.......................................................................................24 Level Vb - Group 2 .......................................................................................26 Level VIa.......................................................................................................28 Level VIb - Group 1 ......................................................................................30 Level VIb -Group 2 ......................................................................................33 Level VII .......................................................................................................35
www.classicalguitarblog.net
2!
ABOUT THIS BOOK
Why the 120 Studies? Classical guitarists spend a lot of time playing right hand arpeggios. Mauro Giuliani (1781-1829) knewthis, and his own music made extensive use of arpeggios. Its no wonder is very first opus number includes the 120 right hand studies. Today these studies are still an essential part of any classical guitarist's curriculum. As an undergraduate guitar major, I worked extensively with the 120 studies. It's my pleasure to present this book, an expansion of Giuliani's work with additional arpeggioexercises and text. In this book you'll find all of the 120 studies in standard notation, additional studies, practice suggestions, and a few ways to take Giuliani further. The studies are grouped into Levels. All studies in this book are listed with their original numbers next to them. Additional studies are presented at the end of levels one, two, and three where necessary.
About the Levels Thegroups of this book are based on two things: difficulty and purpose. The first groups are all what I call simple repeated patterns. The first covers three finger arpeggios (p i m, p m i, p i a, etc.). The second group covers three finger arpeggios with a repeated finger (p i m i, p a i a, etc.). The third group covers four finger arpeggios (p i m a, p a m i, etc.). From there it gets a bit morecomplicated. Levels 4-6 are divided into two halves. The halves labeled "a" involve only one finger at a time; the halves labeled "b" involve combinations of fingers such as playing p and i together. Level seven contains the final, most virtuosic studies. The original study numbers are retained only for your reference; because of the reordering they do not have much significance in this book....
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