Prueba de autobiografia de ceron

At an audition for an upcoming Broadway production, the formidable director Zach and his assistant choreographer Larry put the gypsies through their paces. Every dancer is desperate for work ("I HopeI Get It"). After the first cut, 17 dancers remain. Zach tells them he is looking for a strong dancing chorus of four boys and four girls. He wants to learn more about them, and asks the dancers tointroduce themselves. With reluctance, the dancers reveal their pasts. The stories generally progress chronologically from early life experiences through adulthood to the end of a career.
The firstcandidate, Mike, explains that he is the youngest of 12 children. He recalls his first experience with dance, watching his sister's dance class when he was a pre-schooler ("I Can Do That"). Mike tookher place one day when she refused to go to class – and he stayed. Bobby tries to hide the unhappiness of his childhood by making jokes. As he speaks, the other dancers have misgivings about thisstrange audition process and debate what they should reveal to Zach ("And..."), but since they all need the job, the session continues.
Zach is angered when he feels that the streetwise Sheila is nottaking the audition seriously. Opening up, she reveals that her mother married at a young age and her father neither loved nor cared for them. When she was six, she realized that ballet provided relieffrom her unhappy family life. ("At the Ballet").
The scatter-brained Kristine is tone-deaf, and her lament that she could never "Sing!" is interrupted by her husband Al finishing her phrases in tune.Mark, the youngest of the dancers, relates his first experiences with pictures of the female anatomy and his first wet dream, while the other dancers share memories of adolescence ("Hello Twelve, HelloThirteen, Hello Love"). Greg speaks about his discovery of his homosexuality, and Diana recollects her horrible high school acting class ("Nothing"). Don remembers his first job at a nightclub,...